Emperor and Deafheaven

It’s rare that I get to see a concert because I usually work evenings. But luck had it that Emperor was performing with Deafheaven in Tokyo on a prefectural holiday in Saitama. It was still an official workday I was told, but I could take a paid day off and that’s exactly  what I did!

The venue was Tsutaya-O East in Shibuya. It’s wide but not so deep. Perhaps long enough to play basketball but not wide enough if you consider the raised step at the back. I was glad for that because it meant I could get close enough to take photos with my phone.

Deafheaven

I knew of Deafheaven but I had never heard their music until my coworker and also my concert companion let me hear a little off his phone one day at lunch. It sounded intriguing; like a combination of post rock and black gaze. Rolling Stone put their album “Sunbather” at #94 on their list of top 100 metal albums of all time. I didn’t expect how good the band would be live.

Vocalist George Clarke was a real showman. The way he glared out at the audience, moved around the stage, and made dramatic gestures with his hands made him an entertaining figure. Also active was bass player Chris Johnson, who moved about behind guitarist Shiv Mehran, throwing his head back, smiling, and generally looked like he was having a good time. The lights were pretty cool too. I was constantly taking out my phone and snapping photos of the band.

George Clarke of Deafheaven in action at Tsutaya-O East in Tokyo. Click on any picture to enlarge it.

Kerry McCoy (guitars) and Shiv Mehra (guitars) and Chris Johnson (bass) of Deafheaven, live in Tokyo. Click on any image to enlarge it.

The music was terrific and easy to get into. By the fourth song, the band was going through a long and beautiful instrumental passage, and as the music built up you could feel the energy of this ride. Bass player Chris Johnson seemed really into it, and he and guitarist Shiv Mehra appeared to be totally riding the music. The whole band was in the groove! It was a pretty awesome moment to behold.

When George Clarke announced that the next song would be the final song of the evening, the audience let out a collective groan of disappointment. I heard later from my companion that one young women was gushing over Deafheaven’s performance. Like us, she had come to see Emperor but was blown away by Deafheaven.

Emperor

Emperor hit the stage a short bit after Deafheaven, and as the headliner the fans were thrilled. I’d say at least half the people there were wearing Emperor T-shirts. My friend and I each grabbed one for ourselves from the merch tables.

Emperor’s performance was less active. In fact, except for Ihshan walking around, most of the members remained in their spots. Only guitarist Samoth would step forward between songs, stand at the front of the stage and glare down at us, then raise his fists overhead, to which the audience responded by throwing the horns and cheering.

But even though Emperor were not as active on stage, I was impressed with the music. I have Anthems to the Welkin at Dusk and In the Nightside Eclipse but I guess I never listened closely enough to catch all the changes in riffs and in the music overall. I will certainly listen to both albums more carefully in the very near future.

Once again, I had a blast going to a live show. Unfortunately, no band members came out to chat with us this time, but that was alright. It was still great fun!

I decided to check out Deafheaven’s Sunbather album. It was available on Amazon Japan through the market place for ¥1,162. Two days later, I decided to order it, but the price had doubled. Suddenly, it looked as though it was going to become a rare item. Discogs had only one mint copy listed for under $15 US, and Amazon dot com only had new copies for over $44. I first gave up and ordered Ordinary Corrupt Human Love instead, but then finally conceded and ordered the more expensive Sunbather.

Now I must begin work on the next Music Is A Journey episode (#22) which will be about the top 25 black metal albums of all time as per my research on the Internet.

Obscura in Tokyo

It’s been a few years since the last time I went to a concert. I never went all that much anyway. Ticket prices are always expensive, and you don’t see much of the bands in the big stadiums. When I saw Yes perform in a theatre in Tokyo back in 2014, at least the venue was cozy, and I could clearly see Steve Howe on my side of the stage and had a pretty good view of the late Chris Squire on the opposite side. I could make out their facial expressions.

Last Sunday, I managed to get down to Tokyo to catch Obscura, a tech death band from Germany whose music I have recently taken an interest in. Their recent release, Diluvium, is their fifth and I believe it’s their second with the current line-up. Opening acts were Mason, a thrash metal band from Australia, and Jinjer, a metalcore band from the Ukraine, neither of which I knew about more than my friend having shown me a couple of short video clips.

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Mason

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Jinjer

The venue was Cyclone, which was situated deep under the backstreets of Shibuya. I was a bit late arriving after having spent some time working out the directions to the venue by the actual streets. By the time I found the place and got in, Mason were already on stage and cranking it out. Though I didn’t know their music, I was immediately hooked by their powerful and to-the-gut, classic thrash metal. When vocalist Jimmy Benson announced the band’s name, I decided that I had to get a CD.

Later at the merch table, I had the fortune of chatting with Benson, as well as lead guitarist Grant Burns and drummer Nonda Tsatsoulis. Missing was bassist Steve Montalto. They were really cool guys to talk to and granted me a photo with them. What a great shot!

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I’m not so much into metalcore, but if Jinjer captured my attention it was via vocalist Tatiana Shmailyuk. It’s something else to see a cute woman smile and wink on stage while covered in tattoos and roaring out in death bellows. I’d listen to their music more just for her! Unfortunately, I didn’t see any of the band around after their set.

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Tatiana Shmailyuk of Jinjer

At last, the headliner act Obscura came on stage. I was eager to see them play because I wondered how they would perform their style of technical death metal live. Of course they played fantastically. With each song shifting from speedy and technicality to slower melody parts, guitarist Rafael Trujillo’s fingers were frequently tapping all over the fretboard. Six-string, fretless bass player Linus Klausenitzer frequently stepped forward to scrutinize the audience and then smiled or stopped to throw some fretless bass break at us. Band leader and vocals/guitar Steffen Kummerer roared and bellowed and took a few shared lead melodies with Trujillo. A mosh circle started by Mason and which had cropped up during some Jinjer songs was encouraged by Kummerer when the song called for it.

I had always been apprehensive about mosh pits, but in the small venue there were only a dedicated few who regularly charged around and slammed shoulders. I stood right at the edge and occasionally had to catch a flying body or slam a shoulder to send a staggering body back into the fray. It was really great fun, and I attribute that partially to the congeniality of the audience, whom I determined to be regulars to metal shows and who were all fairly familiar with one another. After the show, I felt there was a certain camaraderie or inclusion among the attendees.

I was very pleased and thrilled to be able to speak with Klausenitzer and Trujillo after the show, and later on we got to have photos taken with the whole band, including drummer Sebastian Lanser.

I had an awesome time and feel totally inspired to go to more shows. Tickets to Emperor in November are already on my hit list. But one thing I was especially pleased about was the possibility of getting photos of the band on stage and from rather close up. I was constantly attracted by the lighting and colours and pulling my phone out for a shot. These are only iPhone shots but I am really pleased with them! Some of them are cropped and filtered on Instagram under my samyaku account.